A magnificent bronze cuirassed statue of Hadrian, now on display at the Israel Museum in Jerusalem, was found by chance by an American tourist in Tel Shalem (Beth Shean Valley, Israel) on 25 July 1975 while searching for ancient coins with a metal detector. Tel Shalem was once occupied by a detachment of the Sixth Roman Legion (Legio VI Ferrata). The 50 fragments of this statue were found in a building which stood at the centre of the camp, perhaps in the principia (Headquarters Building).
Israel Museum, Jerusalem.
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This remarkable statue was used for the ritual worship of the emperor. Evidence suggests that it may have been erected in AD 132-133 to commemorate Hadrian’s personal involvement in suppressing the Bar Kokhba Revolt or that it may have been set up in AD 135/6 to celebrate the conclusion of Hadrian’s reorganisation of Judaea into a new province named Syria-Palestina.
The statue probably portrays Hadrian in the pose of the supreme military commander greeting his troops (adlocutio) or as a conqueror stepping on a defeated enemy (a head of a youth was found next to the statue). However, it’s far from certain that the head and the cuirass originally belonged together. Nevertheless, the Jerusalem bust is one of the finest bronze portraits to survive from antiquity. Only a few statues have been preserved in bronze, as most of the surviving ones were made of marble. The importance of this statue is further enhanced by its high quality of execution.
The head, cast in one piece and found intact, is one of the finest extant portraits of the emperor and is of a type popular in the provinces: the Rollockenfrisur type. Probably cast in an imperial workshop in Rome, Greece or Asia Minor, the statue features the standardised likeness of the emperor, down to the unique shape of his earlobe, a symptom of the heart disease that eventually caused his death.
Israel Museum, Jerusalem
The cuirass is decorated with an enigmatic depiction of six nude warriors. It has been suggested that the scene depicts a duel between Aeneas, wearing a Phrygian cap, and Turnus, the king of the Rutuli. The scene may be seen as an allegory of the triumph of Hadrian over the Bar Kokhba Revolt.
Israel Museum, Jerusalem
As is typical with cuirassed statue decoration, the torso wears a cingulum, a military belt wrapped around the waist and tied at the front in an elaborate knot (also commonly referred to as the Hercules’ knot). A paladumentum, or military cloak, falls over his shoulders.
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About a year and a half after the statue’s discovery, a monumental inscription dedicated to Hadrian was discovered near the camp. The inscription had been part of a triumphal arch built in AD 136 in honour of the emperor.
Sources:
- G. Foerster, A Cuirassed Statue of Hadrian, IMN 16 (1980) 107-110* G. Foerster, A Cuirassed Bronze Statue of Hadrian, Atiqot (English Version) 17 (1985), pp. 139-157
- RA Gergel, The Tel Shalem Hadrian Reconsidered , American Journal of Archaeology, Vol. 95, No. 2. (Apr., 1991), pp. 231-251
- The Israel Museum, Publisher: Harry N. Abrams, Inc., 2005 (museum link)
Outstanding
this must be one of the best bronze statues of anyone, let alone Hadrian. Incredible! Always wonder how something as significant as this would originally have become buried and forgotten…
Reblogged this on The World of Caroline Ludovici and commented:
A beautiful bronze of Hadrian discovered by a tourist…
“…a duel between Aeneas, wearing a Phrygian cap, and Turnus, the king of the Turuli.” Turnus’ tribe was the Rutuli; I believe that you inverted your letters here when typing the article.
Well spotted, thank you! I just corrected it.
Height of Greco-Roman art. Hadrian was a thorough Phil-hellene who did much to advance Greek culture throughout the empire.