Museum, Nerva–Antonine dynasty, Roman Portraiture, Rome

The Nerva-Antonines in Palazzo Massimo alle Terme, Rome

The National Roman Museum Palazzo Massimo alle Terme in Rome houses one of the world’s most important collections of Greek and Roman art. On the four floors of the museum, sculptures, frescoes, mosaics, coins, and jewels document the evolution of the Roman artistic culture from the late Republican age through Late Antiquity. In the rooms on the first floor are displayed numerous portraits of the members of the Nerva-Antonine dynasty.

The Nervan dynasty consisted of three emperors who ruled from AD 96 to 138: Nerva, Trajan and Hadrian. The Antonine dynasty consisted of four emperors who ruled from 138 to 192: Antoninus Pius, Marcus Aurelius, Lucius Verus and Commodus. Five of them are commonly known as the “Five Good Emperors”. The term was coined by political philosopher Niccolò Machiavelli in his 1531 manuscript Discourses on Livy.

From the study of this history we may also learn how a good government is to be established; for while all the emperors who succeeded to the throne by birth, except Titus, were bad, all were good who succeeded by adoption, as in the case of the five from Nerva to Marcus. But as soon as the empire fell once more to the heirs by birth, its ruin recommenced.

The Five Good Emperors of the Roman Empire (96 – 180 CE)
Netchev, Simeon, World History Encyclopedia. World History Encyclopedia

Imperial portraiture of men and women in the early to mid-2nd century reflected increasing austerity and interest in Greek culture. The portraiture of Nerva and Trajan displayed a militaristic look, whilst Hadrian changed the Roman portrait style to reflect Greek styles. This style was kept by his successors Antoninus Pius and Marcus Aurelius. Imperial women set the style and fashion for elite hairstyles. The styles of Trajan’s wife Plotina and his niece Matidia demonstrate a simplified abstract vertical form based on the earlier curly, extravagant Flavian style. Both Hadrian and Marcus Aurelius’ wives chose to follow their respective husband’s choice of style, and are depicted with hairstyles that derive from Greece.

  • Nerva (AD ruled 96 – 98)
Marble portrait of Nerva.
Portrait of Nerva?, from the Trajanic or Hadrianic period.
  • Trajan (ruled AD 98 – 117)
Statue of Trajan as Hercules-Silvanus.
  • Empress Plotina, wife of Trajan
Bust of Pompeia Plotina, from the Baths of Neptune at Ostia. Dated AD 110-120.
Fragmentary bust of Hadrian, from the area of Santa Bibiana at Termini station. Dated ca. AD 117-120.
  • Empress Sabina, wife of Hadrian
Bust of Sabina found on the Via Appia. Dated AD  134-136.
Sabina, found near near Vittorio Emanuele II. Dated AD 136-138.
Head of Antinous, probably as Priest of Attis, found in Ostia, Campo della Magna Mater, in the spring of 1869.
Portrait of Antinous from Hadrian’s Villa.
Marble relief with Antinous as Silvanus (god of woods and fields), harvesting grapes. From Torre del Padiglione.
Portrait of Antoninus Pius from Formia.
Portrait of Antoninus Pius from Villa Adriana. Dated c. AD 161.
Portrait of Antoninus Pius.
Marble statue of Antoninus Pius found in Terracina (Italy).
Marcus Aurelius, from Villa Adriana (Hadrian’s Villa). Dated AD 160-169.
  • Empress Faustina the Younger, wife of Marcus Aurelius
Portrait of Faustina the Younger, from the area of the Villa Altieri. Dated AD 175.
Faustina the Younger (?), from the time of Antoninus Pius (AD 138-161).
Statue of Faustina the Younger. Dated AD 160.
Portrait of Lucius Verus, from the Via Appia. Dated AD 169.
Lucius Verus?
Commodus, end of 2nd century AD, Dal mercato antiquario.
Portrait bus of Commodus. Dated AD 180.
  • Lucilla,  daughter of Marcus Aurelius and Faustina the Younger
second daughter and third child of Roman Emperor Marcus Aurelius and Roman Empress Faustina the Younger.
  • Empress Crispina, wife of Commodus
Portrait of Bruttia Crispina, wife of Commodus, from Villa Adriana (Hadrian’s Villa). Dated c. AD 178.
Portrait of Bruttia Crispina, wife of Commodus, from Villa Adriana (Hadrian’s Villa). Dated c. AD 178.

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